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Quality Inspection Tables
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D-Observer Digital Table (Cat. CINE3) base model D-Observer has been specifically designed for film laboratories, film archives and in general film companies which need to check the total quality of the film in all its parts. The standard model perfectly runs for film 35mm and 16mm (also special format: Cinemascope, Super 16 and 35mm3P), positive and negative film. D-Observer can be easily upgraded to handle archive film like 28mm, 9,5 Pathé, 8mm and Super 8, maintaining for these formats the same performances. |
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Its adjustable-pitch sprocket, safeguards any standard and short pitched perforations, up to the most retired ones from the archive. In any case the film is always automatically pre-tensioned before starting and its integrated technology protects the film from any tension damage. |
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A checking-speed selector grants three adjustable constant speeds for each direction. The standard setting (12FPS-24FPS-150FPS) can be easily changed by the operator directly from the setting menu on the keyboard. |
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An easy and ergonomic control knob enables the operator to run the film in either direction with variable speed from 0 up to 200 FPS maintaining always the same tension during all the operations. |
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The CPU controlled transport allows the operator to choose the right and preset film transport behaviour with a button pression only: smooth and progressive for negative film, prompt and fast for positive (8 different pre-set modes are available). |
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The digital counter measures in real time the film length in feet, frames, meters, fps and elapsed time at 24 or 25 fps and the operator can locate a certain frame simply digiting its foot and frame references on the keyboard. |
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The large inspection area and the incorporated viewer allow an easy film handling and comfortable space for all needed instruments. |
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A wide choice of accessories increases the use of this very versatile equipment (see “D-Observer Accessories”). |
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D-Observer FSC Version (Cat. CINE 7) |
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The versatile moviola for film inspection with digital performances for any cine post-production necessity |
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All film area is displayed on the monitor screen with possibility to zoom and crop details such as digital and analogue tracks. |
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The analog optical reader 16/35mm reproduces the sound track in perfect synchronization with the image. |
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While running a negative film, it is possible to easily invert the image into positive on the monitor and also, optionally, to adjust the RGB colours to enhance useful details during the quality inspection and film restoration. |
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Example of negative (on the left) inverted (on the right) with a special colour enhancement in order to see any "pressure mark" present on high sensitive film. |
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FSC shows each of the 25 fps of the running film either from the colour CCD or from the SF Optical Unit (Cat. PH116-C). Furthermore, with the optional SF Optical Unit (Cat. PH116-C) scratches of any size, snow dots and any kind of fault small blemishes (acetic syndrome included) are immediately enhanced to be easily detected and restored on both positive and negative film. The infrared light illuminates the selected frame eliminating the printed latent image for a more accurate inspection and an easier restoration. |
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Examples of scratch and acetic syndrome as normally appear on the monitor screen (image on the left) and after the infrared vision enhancement (image on the right). |
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| The video output can be recorded, with proper optional devices, into DVD or VHS (pal resolution) supports, in colour or B/W, from positive or negative film. |
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The well made solid mechanic and electronic construction of the D-Observer Digital Table does not require any periodic maintenance and consumables. A wide choice of accessories increases the use of this very versatile equipment. |
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D-Observer FSC HDT Version (CINE8)
· All the features of the D-Observer Digital Table (Cat. CINE3) are included in this version, additionally equipped with a RGB high definition video stroboscope system. LED pulsed light and high resolution 3CCD camera ensures bright image ideal for a complete “edge to edge” film quality inspection at any running speed. · The RGB high definition output is displayed on a high definition 19” monitor with the analogue sound synchronized . · The Camera can be easily adapted for Positive as well Negative films. Brightness, Saturation, RGB colours can be enhanced to better identify possibile faults during the quality inspection and film restoration as well for a primary copy on VHS. · Running film frames are simultaneously replayed on the monitor either from the color 3CCD and by the optional infrared camera to identify scratches of any size, snow dots and any kind of fault small blemishes (vinegar syndrome included). · The accuracy of analog and digital sound tracks processing, the steadiness of the printed image, the quality of the scene area as well the perforations integrity, can be easily and accurately checked. · The stroboscope and the cameras are easly settable for any film format and a zoom function permits to enlarge any film detail for a better faults identification. |
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EZ Archive Software (CINE SW)
EZ ARCHIVE is a special optional software that can be
used in conjunction with the D-Observer (CINE7 or CINE8), the RGB Video
Colour Corrector (CINE 8-1) and a computer. Its main purpose is the
editing of a report during the film analysis phase.
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D-Observer FSC Version Accessories |
SF Scratch Finder Optical
Unit (Cat. PH116-C)
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| The SF Optical Unit (Cat. PH116-C) is a special CCD camera with an infrared light that enhances any film surface fault showing it clearly on the monitor screen during processing. |
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Microscope film vision system (CAT.CINE6-3)
RGB Video colour corrector (CINE8-1)
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Adapter for handling special film-formats D-Observer can be easily upgraded to handle other archive or special formats: |
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| The upgrading Kit for each format includes the special sprocket and the under-plate spacer. The reels are universal format type and the standard electronic counter/display can be fitted for all these formats. |
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The widest choice of cinema splicers is available for all LABS-CINEMA-ARCHIVE formats and uses. (Please consult our section under "Film splicers") |
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D-Archiver (Cat. CINE10-A) The bridge connecting Analog and Digital for Film-Restoration
All in One Solution for Film Archival · Film Inspection Table · Film Restoring Table · Moviola & Splicing Table · Scanning with variable resolutions up to 2K Suitable for all 35mm and 16mm film formats, upgradable for 9,5 Pathè, 8mm and Super8. The new complete “Minilab” for the Restoration and Archival Process developed for any old, shrunken, brittle or warped film.
TECHNICAL SPECIFICATIONS: Film Format: 16mm and 35mm B/W and Color (8mm, Super8 and 9,5 Pathè on option) Imaging Device: 1/2” CCD Illumination: Ultrabright LED Array Transport: Brushless PLC driver motors Registration Pitch: adjustable control on sprocket for film shrinkage Resolution: up to 2K (2048x2048) variable and freely adaptable lower resolutions Bit depth: 16 BIT Frame Rate: 7,5 FPS at full resolution (16 BIT) Higher Speed at smaller resolutions Data Formats: RAW, DPX, Tiff D-Archiver HD ANALOGUE (CAT. CINE10)
The D-Archiver HD ANALOGUE version is part of the D-Archiver equipment family. It is more focussed into the pure quality checking environment. The 16/35 film handling equipment is equal to the digital version but is equipped, in this version, with an HD analogue camera that, without any computer equipment, gives a full HD film vision on a 24 inches LCD display. A software is, anyway, provided for helping the operator in freely customise the camera colour profiling for perfectly matching any film mask change eventually required.
DArchiver HD ANALOGUE TECHNICAL SPECIFICATIONS: Film Format: 16mm and 35mm B/W and Color Imaging Device: 2/3" CMOS 1920*1080 16:9 sensor Illumination: Ultrabright LED Array Transport: Brushless PLC driver motors Registration Pitch: adjustable control on sprocket for film shrinkage Resolution: 1100 TV lines Bit depth: 12 BIT Frame Rate: up to 40 fps Output Signals: HDSDI interlaced, SDI, CVBS, analog RGB/HV progressive or Y/B-Y/R-Y interlaced Dual Link progressive HDSDI
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